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Run To Reach
This project is a multi media mockumentary work around the song Run To Reach by musician Kourosh consisting of a music video, a behind the scenes video, and a gesture artwork at Amsterdam club kanaal40.
According to Kourosh, the song he made is about the fear of falling into clichés as an artist and producer. “We all take part in this race to success while working in a toxic atmosphere which is called the music industry. This atmosphere makes it hard to be free from clichés like partying often and trying to get in touch with important people, we thus end up acting in clichés. That's what Run To Reach is about.”
The campaign is built on the idea of making a series of videos that deconstruct the fake and superficial side of the music industry. An industry with blurry power dynamics based on trades of exposure and commercialization of all choices both for the artist as for the crew members. To do this Lucas Huikeshoven and the crew created three videos with their own convincing goal: a realistic BTS promo for Kourosh, a music video that exposes the performativity of Kourosh, and a gesture performance that exposes the performativity of the crew. To do this the crew and cast performed during the production in a fictional meta storyline in which Kourosh acted as an arrogant, selfish artist who constantly yells at the people helping him. His toxic interactions with the “director”, played by Boaz Kok, is a constant battle of power and individualist reasoning that affects the safety of the rest of the crew.
The videos are shot on an VHS camera by Sam Broekman to recreate a behind the scenes feeling as often seen in hip hop music videos. The music video depicts Kourosh performing his song in a studio and a rough, urban looking tunnel. From the start the video has a normal performer/spectator ratio where both parties are seemingly unaware of themselves. However, during the bridge of the song, the viewer can see that the camera that supposedly films Kourosh is an empty frame. The frame breaks the fourth wall of the convincing BTS perspective and takes the viewer into the staged world that represents the modern music industry and its self conscious, propagandist atmosphere. A world founded on commercial success, facades, scripted identities and big egos. Through this self exposure, the audience in turn is exposed to the staged performativity of Kourosh’ character and the film set of this cultural logic of profit-driven pretense.
The gesture parodies the music industry's pretentious habit of creating half gods out of artists. In the work, the audience seduced by this commercial propaganda technique are exposed to their own false faith. After a premiere screening of the music video, there is a moderated Q&A with the supposed director/Boaz and Kourosh. The Q&A gets interrupted by Lucas who claims to be the actual director of the music video they just watched. He accuses Kourosh and Boaz of exploitative and corrupt behavior on the film set.
As the viewer's perception of Kourosh is broken, Lucas kicks it up a notch when he puts on another BTS video of the previously shown music video to expose Kourosh’s toxic behavior on set. This BTS video shows the fictional meta storyline that shows Kourosh’s “true colors” as a narcissistic artist. This exposure results in a (seemingly real) fight between Kourosh and Lucas, after which they all go off stage, leaving the crowd behind awkward, uncomfortably self-conscious and confused.
PERFORMERS:
MODERATOR - Luna Hupperetz
DIRECTOR - Boaz Kok
ARTIST - Kourosh
SECRET DIRECTOR - Lucas Huikeshoven
DJ - Lesley Macaya
VIDEOS:
DIRECTOR - Lucas Huikeshoven
D.O.P. - Sam Broekman
SOUND ENGINEER - Hannah Veldhoen
EDITING - Tobias Niemeyer
DATA HANDELING - Sara Elzinga
MUA - Emma Ajdari
SPECIAL THANKS TO:
Bob van Loon, Job van Bentheim, Kanaal 40, Parsley, baby ganoush, Nushin Naini, Mateo, Luca Koemans & Mathilde Medard
WEBSITE
Design & Development: © Lucas Huikeshoven 2024